Circle Chair by Hans Wegner

The Circle Chair is a laminated ring with stretched, wide-meshed net. One of the experiments that proved to be an international success. The Circle Chair was Wegner and PP Mobler’s contribution to the SE Exhibition in 1986.
And, as usual, the prototype was not completed before the very last moment – the morning of the show to be exact. Consequently, the chair was rushed of to the show by master of crafts Ejnar Pedersen in his car – which happened to break down on the way. The chair has a really interesting design, and I see it as an exceptional piece of outdoor furniture.

Via Fresh Home

Hans Wegner Sawbench Chair

Photo thanks to Danish Furniture

I post this chair as a tribute to my father. This was one of his favorite chairs. You don’t need cushions for a comfortable seating. It kept you for hours uninterruptedly very comfortably, even when you are tall (I am 6’4, or 1.90 m). That is a sign of good design.

With his love of natural materials and his deep understanding of the need for furniture to be functional as well as beautiful, Hans J. Wegner (1914) made mid-century Danish design popular on an international scale. He began his career as a cabinetmaker in 1931 and subsequently entered the Copenhagen School of Arts & Crafts. After receiving his architectural degree in 1938, he worked as a designer in Arne Jacobsen and Erik Mølle’s architectural office before establishing his own office in 1943.

With more than 500 different chair designs Wegner is the most prolific Danish designer to date. His international breakthrough and greatest sales success came in 1949 when he designed the Round chair. The American magazine Interiors featured the chair on the cover and referred to it as the world’s most beautiful chair. The chair rose to stardom when used in the televised presidential debates between Nixon and Kennedy in 1960 and has since been known simply as The Chair.

The real beauty of Wegner’s genius must be seen in context with his collaboration with master cabinetmaker Johannes Hansen. The attitude with which Johannes Hansen accepted the young designe’s ideas was the perfect combination between designer and craftsman. Their collaboration went on for many years, and they presented their work at the Cabinetmaker’s show every year from 1941 – 1966.