Circle Chair by Hans Wegner

The Circle Chair is a laminated ring with stretched, wide-meshed net. One of the experiments that proved to be an international success. The Circle Chair was Wegner and PP Mobler’s contribution to the SE Exhibition in 1986.
And, as usual, the prototype was not completed before the very last moment – the morning of the show to be exact. Consequently, the chair was rushed of to the show by master of crafts Ejnar Pedersen in his car – which happened to break down on the way. The chair has a really interesting design, and I see it as an exceptional piece of outdoor furniture.

Via Fresh Home

Pumpkin Stool by Lovi

Stockholm Furniture Fair 08: Pumpkin Stool by Lovi

Lovi is a small Finnish company designing birch ply Christmas-, Easter- and year-round decorations that are all flat packed as postcards so that you can easily send them to friends and family as holiday greetings. they have come up with a stool with the same patented construction principle- ‘the pumpkin’, available in two sizes.

via designboom.

Asymmetrical Wing Chair by Yuniic

Asymmetrical Wing Chair by Yuniic

Asymmetrical Wing Chair by Yuniic

stockholm furniture fair 08 / greenhouse:

Yuniic is the Zurich based design studio of Thierry Villavieja and Christina Primschitz. They presented their Asymmetrical Wing Chair.

via designboom.

Drytech 3 Spacer Chair prototype by Next Architects

Drytech 3 Spacer Chair prototype by Next Architects.

Client: Droog Design
Team: Bart Reuser, Marijn Schenk, Michel Schreinemachers, Samira Boon with Maria Salinas Moltó, Eve Arpo, Agathe Osika, Ieda Alvarez Dogo
Collaborator / associate: Studio Samira Boon
Material: fiberglass and nylon Spacer Fabric with polyester resin;
Build engineer: Müller textiles and Polyproducts
Construction: Textilemuseum Tilburg
Special thanks to: Prof. Adriaan Beukers, Delft University of Technology, Faculty of Aerospace Engineering and Hybrids
Completion: September 2007

For the chair, we used a double weaving technique used in carpet production: two carpets are woven together and cut loose afterwards to create a velour side. This inspired us to design a chair along the same lines: two pieces of fabric are partly interwoven and partly cut loose. Cutting the fabric turns a two-dimensional cloth into a three-dimensional object.

The chair derives its strength form both the double fabric and the curves: hardening so-called ‘three-dimensional’ fabrics by means of resins gives them constructive qualities.

On Next Architects via Next architects via designboom)

Ripple Chair by Christian Flindt

Ripple Chair by Christian Flindt
At the Stockholm furniture fair 08 Danish company Paustian showed this Ripple Chair by Christian Flindt.
via designboom