Mary Plumb-Blade – About Chair design
Mary Blade standing at a blackboard (CC Wikimedia)
In 1946, when this photograph was taken, Mary Blade was the only woman on the Cooper Union engineering faculty (where she initially taught drawing, mathematics and design) and one of few women on any engineering faculty in the United States. Blade was an avid and accomplished mountain climber. Photo at the Smithonian
sonails:
This is my great aunt Mary Plumb-Blade. I never got to really know her (she died in 1994), but from everything I know about her, she was a really cool lady. She was an engineer at a time when few women were in the field, an amazing painter and a mountain climber amongst other things. These are photos I was surprised to find of her online.
Mary Blade was the only woman on the Cooper Union engineering faculty and one of few women on any engineering faculty in the United States.
The second photo is from the book Chair–The current state of the art, with the who, the why, and the what of it.[by Peter Bradford and Barbara Prete ,gje]. This was a 1978 book about the designs behind the chair. My great aunt’s chapter was on physical forces, sitting behavior and movement.
Apparently, my aunt did not like children at all, but she liked me, because I was quiet and liked to draw. She even bought me my first comic book. I wish I got to know her more before she passed. I grew up with her paintings all around my mom’s house, and I hope to one day be able to hang up at least one of her paintings in my home.
This I retumblrd from so nails, but do not know his or hers real name.
Coliseum Chair
hochepot:
Chair shape inspired by coliseum here
Gunnar Chair by Felicia Hung
Chair Morceaux by Jiwon Choi
thekhooll:
Chair Morceaux
In Chair Morceaux, different pieces come together to form a chair. To unify these separate elements, the connections between sides, seat, and back are visually apparent. The design is a result of dividing the chair into different components to explore the relationship between one another. The process involves considering how the sum of its parts comes together to form a pleasing aesthetic quality in its composition and proportion.
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