Jacob Williams: Rocking Ladder with Chair Installation

Jacob Williams: Rocking Ladder with Chair Installation 01
It looks impressive.
Jacob Williams: Rocking Ladder with Chair Installation 02
You can stand on the chair if you can maintain your equilibrium.
Jacob Williams: Rocking Ladder with Chair Installation 03
You can rock the ladder while hanging from it.
Jacob Williams: Rocking Ladder with Chair Installation 04
and swing!
Jacob Williams: Rocking Ladder with Chair Installation 05
and tumbl!
Jacob Williams: Rocking Ladder with Chair Installation 06
And trying to calmly terminate your capriols….

It is hilarious: Jacob Williams

.03 Chair by Maarten van Severen, Designmatcher and Chair Blog

Maarten Van Sevener dot03 Chair

Maybe you didn’t realize (like I did’t realize for quite some time) that the banner of this Blog consists of a row of .03 Chairs by Maarten van Severen for Vitra.
Maarten van Severen
About Maarten Van Severen

Maarten Van Severen (Antwerp, Belgium 1956 – 2005) lived and worked in Ghent, where he designed and produced items in small lots in his laboratory. Notable among his numerous interior design projects are the entrance to the Museum of Modern Art in Ghent and the Saint-Honoré Palace in Paris, which houses the services of the Ministry of Culture. He collaborated with the Dutch architect Rem Koolhaas in the making of the interiors of a Parisian villa and a house in Floriac. In 1998 he designed a chair for Vitra. He has taken part in many exhibitions, including the one on Minimalism and “Made in Belgium” that was held at the Kortrijk Biennial Exhibition in 1994. In 1996 he was invited to the VIA in Paris and the Milan Triennial Exhibition.

The son of an abstract painter, Maarten Van Severen chose to study architecture at Ghent art school; he completed three years before going to work in various agencies on interior design and furniture projects, then in 1986 started to make furniture. The first piece, a long and slender steel table, has since been recreated as an aluminum model, which has been further refined over the years. In 1989 he produced his first wooden table; long, slim and pure in form. In 1990 he turned his attention to chairs. His work, hand crafted in his workshop in Ghent Belgium, reflects his quest for perfection in form, detail and fabrication. He also created imposing exhibition stands of steel shelving for use at exhibitions and fairs. Since 1997 he is involved in industrial productions for Target Lighting (U-Line lamp), Obumex (kitchen), Vitra (chair no .03), Edra (Blue Bench) and BULO (Schraag).

In recent years a small group of fans has emerged, all prepared to accept the long waiting times necessary if you want to acquire furniture manufactured in Van Severen’s own workshop. None of this furniture is designed for industrial production.

.03 is the first result of co-operation between Belgian minimalist Maarten Van Severen and Vitra – and it will be also mass produced.

About the .03

Officially called the .03, is the industrial interpretation of his traditional seat in aluminum of 1992. The .03 chair was first conceived as a chair for both domestic living areas as well as public spaces where visual restraint is of prime importance, such as museums. Discussion with architects, dealers and other users, however, revealed many other additional uses. The .03 can be stacked inconspicuously and quite naturally in an office, ready for an improvised meeting, and many architects now see the .03 as a comfortable alternative to the classics for use in cafes, halls or waiting areas.

Maarten Van Severen has always produced creations of exemplary purity and clarity, and in partnership with a manufacturer for the first time, he was able to combine this style with a multitude of factors, including ergonomics, safety, and the heavy demands of the public. The moment you sit down in a .03, you realise the technical refinement. The rigidly designed shell ‘gives’ comfortably in the seat and back areas, and moulds the contours of the body. When you lean backwards, the top part of the back section yields to match your body, and the built-in spring mechanism provides counter-pressure, allowing the backrest to return to the original position. With its apparently simple design and styling, this chair is the epitome of the “less is more” concept. The .03 is available either with armrests or as a stacking chair. The stacking chair takes up little space, as the shells fit closely on top of one another and there is no need for dividing buffers.

.03 is an ideal chair for all areas calling for comfortable seating even over prolonged periods – for example, lecture theatres and seminar rooms. The stackable chair can be linked. Because each shell lies direct on the one below it, the stacks are very compact. When you lean back, the shape of the upper section of the backrest changes thanks to the built-in springs.

Polyurethane and steel are the materials and work together as a whole by means of an ingenious construction.

W 38 — D 52— SH 45.5 cm.

Both extensive quotes are from Design Matcher a real inspiration if you like chairs like I do.

Last edited by gje on March 22, 2010 at 1:16 PM

Rietveld’s Mondial Chair at Christies

Rietveld's Mondial Chair at Christies

Mondial

Price Realized 13,145 ($17,050)

Estimate12,000 – 15,000 ($15,565 – $19,456)

Sale 2642
20th century decorative arts
16 November 2004
Amsterdam

Mondial, a chair
GERRIT TH. RIETVELD AND WIM RIETVELD FOR GISPEN, 1957
The red fiber seat and backrest supported by grey-lacquered metal legs
75 cm. high

Provenance
Sem Aardewerk
Thence by descent

Lot Notes
The Mondial chair was exhibited in the Dutch pavillion during the World Exhibition in Brussels in 1958. The pavillion was designed by Gerrit Th. Rietveld who collaborated on this project with interior-architect Sem Aardewerk. The Mondial chair was awarded a price at the Triennale in Milan in 1958.

For comparison see:

The complete Rietveld furniture, Rotterdam 1993, p. 158 and 159, no. 344
Marijke Kuiper and Ida van Zijl, Gerrit Th. Rietveld 1888-1964, Het volledige werk, Utrecht 1992, p. 285, no. 532
Barbara Laan, André Koch, Collectie Gispen meubels, lampen en
archivalia in het NAi 1916-1980, Rotterdam, 1997, pp. 125-126 for the steel and aluminium prototype and for an illustrated sketch for the
World Exposition with armchairs in situ and a photograph of the
exposition space with chairs without arms in situ.

A Mondial Proto Type Fetched Dfl 36,902 (US $18,348) in Amsterdam on May 19, 1998….

flexibility – flexible bench by Giulio Iacchetti

flexible bench by giulio iacchetti

flexibility – design in a fast changing society
ex carceri ‘le nuove’, turin
june 29 – october12
Torino Design Capital

‘flexibility – design in a fast-changing society’ is one of the many events taking place in Turin this year in
conjunction with the city being named the ‘design world capital for 2008’. the show consists of nine
projects by international designers installed at a former prison ex carceri ‘le nuove’.

flexible bench by Giulio Iacchetti
‘flexible bench is a special seat for urban furnishings. through the rotation of the seat/seat back it becomes a shelter,
a sort of roof that protects from the summer’s blistering heat, from the bad weather and as a night shelter.
a project dedicated to those who arrive in the city and don’t have a place to stay.’ GI
Designboom

Recycled Wood Chairs by John Booth


Recycled Wood Chairs by John Booth

designer john booth has created these simple chairs which make use found and recycled wood from used pieces of furniture. each chair is custom built based on the available pieces booth finds. as a result each chair is unique and one of a kind. however all the chairs share the same simple construction and materials. booth has even created some smaller versions in the collection for children.

Designboom