Hideout lounge chair and settee by Front


Hideout lounge chair and settee by Front for GTV Design (Gebrueder Thonet Vienna)

Domus Armchair by Ilmari Tapiovaara



Domus Armchair by Ilmari Tapiovaara still being produced by Artek

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Chairs!
gje

Armchair “Saxhorn” by CLC France


Found the Saxon Armchair by CLC France on Whoppa, an online selling/auction platform for individual and business traders. I like it!

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Chairs!
gje

Armchair by William Lescaze

At Wright: Armchair by William Lescaze. Sold for $2,620 On January 12, 2023.

About William Lescaze

There is not a lot about William Lewscaze online, but I found a blog with posts about him worth further reading: DJ Huppatz 1 and off course wikipedia:

William Lescaze was born in Onex, Switzerland. He studied at the Collège Calvin and at the École des Beaux-Arts, before completing his formal education at the École polytechnique fédérale de Zurich in Zurich where Karl Moser was a teacher, receiving his degree in 1919.

He contributed to the post-war reconstruction effort of Arras, and then immigrated to the United States in 1920. He worked for some time at the architectural firm of Hubbell & Benes in Cleveland, Ohio, and taught French at the local YMCA’s night classes.

In 1923, he was offered a modeling job and moved to New York City where he set up his business. His first major work was the design of the Oak Lane Country Day School outside Philadelphia. After a brief time in New York, he returned to Cleveland.

In 1927, he designed the Sutton House Apartments project in New York City. Income from the project allowed him to move back to New York City.

In 1929, Philadelphia architect George Howe invited William Lescaze to form a partnership, Howe & Lescaze. Within just a few weeks after joining forces, the duo began work on a large project for downtown Philadelphia. The resulting structure, completed in 1932, was the Philadelphia Savings Fund Society (PSFS) Building, which is today generally considered the first International Modernist skyscraper, and the first International Style building of wide significance in the United States. It was also the first building with full air conditioning. Lescaze is generally given credit for the design: letters from Howe to Lescaze quote the former insisting to the latter that “the design is definitely yours.” The structure replaced the bank’s former headquarters in Philadelphia, a classicist structure near Washington Square built in 1897.

Spaarbank Armchair by J.J.P. Oud


I found this chair at Mid modern/ Mass modern, two Companies owned by one man, Etienne Feijns, who started out as 7 year old boy to accompany his parents on their searching quests of Antique and Brocante markets in The Netherlands an Belgium.

Later he started to collect midcentury and later 20ieth century  design on his own and formed the two companies until the two companies got together in a 5,000 square meter warehouse where he keeps his trade and treasures. Only visit able on appointment.

About the Spaarbank Chair

Ultra rare easy chair designed by Jacobus Johannes Pieter Oud for Rotterdamse spaarbank, Holland 1960. This easy chair was designed for the interior of the Spaarbank van Rotterdam in 1960. The chair has a matt chrome plated tubular metal frame and has its original vynil grey and off white upholstery in nice two tone contrast. The other chairs from the bank were reupholstered by Pander in blue and yellow faux leather upholstery but for an unknown reason this chair survived and still has its original upholstery which makes this an exceptional and museal lounge chair.

Jacobus Johannes Pieter Oud, often called J. J. P. Oud (9 February 1890 – 5 April 1963) was an important Dutch architect. His fame began as a follower of the De Stijl movement. Oud was born in Purmerend, the son of a tobacco and wine merchant. As a young architect, he was influenced by Berlage, and studied under Theodor Fischer in Munich for a time. He worked together with W.M. Dudok in Leiden, which is where he also met Theo van Doesburg and became involved with the movement De Stijl.

Between 1918 and 1933, Oud became Municipal Housing Architect for Rotterdam. During this period when many laborers were coming to the city, he mostly worked on socially progressive residential projects. This included projects in the areas of Spangen, Kiefhoek and the Witte Dorp. Oud was one of a number of Dutch architects who attempted to reconcile strict, rational, ‘scientific’ cost-effective construction technique against the psychological needs and aesthetic expectations of the users. His own answer was to practice ‘poetic functionalism’.

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Chairs!
gje