Ferdinand Armchair by Åke Axelsson



Ferdinand Armchair by Åke Axelsson

Ferdinand offers comfortable extended sitting. The chair is based on the same theme as the Nomad chairs but, with its use of leather, is more exclusive. The construction is timeless. Chairs of this type were being made some 4 000 years ago. The turned wedges are the secret of the chair, like two wooden knots.

Ferdinand is manufactured by Gärsnäs in two models: one using light red beech while the oak variant is heavier and sturdier. The seat is made of natural or dark brown leather from Tärnsjö tannery in Upland.

Purchasers assemble the chairs themselves without having to use glue, screws or hammer. Ferdinand was awarded the 2013 ELLE Interior Chair Prize. In 2015 the chair won the year’s Lauritz Icon from the magazine Residence.

Ferdinand chairs are supplied in a flat pack direct from Gärsnäs.

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Chairs!
gje

EXO Club Chair by Alberto Colzani for Epònimo

EXO Club Chair by Alberto Colzani for Epònimo

EXO
The cow-hide in the Exo armchair is both surface and structure. Like in an insect’s exoskeleton there is no internal support structure. In both products the polyurethane body is covered with cow-hide panels that once sewn together become structural. The material of the shells and their surfaces are rich but the objects are extremely light. The slight tilt of the armchair’s base and the flexibility of the armrests allow for a seating style that follows the movements of the body. Available in 30 colours. Cow-hide shell, polyurethane core.

via Archiproducts

#9 of the 999 Armchairs Book.

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Chairs!
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The Real Armchair by Adrian Pearsall


The Real Armchair by Adrian Pearsall

Finally I found it at Pamono, uhm not 100 % sure, because Pamono only attributed it to Adrian.
You see that if you put too much effort in a search which doesn’t deliver, it is better to turn away, do something else and come back. My last post was a month ago.

#8 of the 999 Armchairs Book

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Chairs!
gje

Balboa Armchair

Balboa Armchair

Via Serena and Lily

I’m so glad to have the site moved and operational again. It is possible I’m going to post more than one post per day: photo’s and as little tekst as possible.

Currently I’ve fallen in love with cane chairs. At the beginning of the 2021 Summer this seems apt as a caned seat and back make a chair airy, light and comfortable as the cane stretches a little bit under your weight.

The Balboa Chair is chique as well because both the inside and outside are made of cane.

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Chairs!
gje

Four Chrome and Wicker Cantilever Chairs by Fabricius and Kastholm for Harvey Probber


Four Chrome and Wicker Cantilever Chairs by Fabricius and Kastholm for Harvey Probber

About Harvey Probber (USA, 1922–2003)

A popular designer who had his heyday from the late 1940s into the 1970s, Harvey Probber is one of the post-war American creative spirits whose work has been recently rediscovered by collectors. His designs are by-and-large simple and elegant, but his signal achievement was to pioneer one of the key innovations of mid-20th century furniture: sectional, or modular, seating.

Even as a teenager, the Brooklyn-born Probber was making sketches of furniture designs — and selling them to Manhattan furniture companies. He began working as a designer for an upholsterer once he finished high school and, apart from a few evening classes he took as an adult at the Pratt Institute, he was self-taught about design and furniture making. After wartime service — and a stint as a lounge singer — Probber founded his own company in the late 1940s. A lifelong familiarity with the needs of New York–apartment dwellers doubtless sparked his most noteworthy creation: a line of seating pieces in basic geometric shapes — wedges, squares, half-circles — that could be arranged and combined as needed. Modular furniture remained the core idea of Probber’s business throughout his career.

As a self-trained designer, Probber was never wed to any particular aesthetic. He preferred simple lines for their inherent practicality, but often used hardware to enliven the look of his pieces, or added elements — such as a ceramic insert in the center of a round dining table — that was visually interesting and could serve as a trivet. He gravitated toward bright fabrics with attractive, touchable textures that might be satin-like or nubbly. Above all, Probber insisted that the products that came out of his Fall River, Massachusetts, factory be built to last. “The quality of aging gracefully,” Probber once told an interviewer, is “design’s fourth dimension.” This quality he realized: Probber furniture is just as useful and alluring now as it was when made — and maybe even more stylish.

Via 1stdibs

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Chairs!
gje