Cantilever Chair attributed to Giandomenico Belotti
Found it at Pamono.
Please note it is a reversed cantilever chair.
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Chairs!
gje
Tag: Pamono
Bent Mahogony Armchairs by Carl-Axel Acking for for Bodafors
Bent Mahogony Armchairs by Carl-Axel Acking
Carl-Axel Acking (1910-2001) was a prominent architect, interior and industrial designer, who was particularly active during the 1940s and 1950s. He is remembered for his important contribution to modernist architecture and design in Sweden.
Acking was born in 1910 in Helsingborg, Sweden. From 1931 to 1934, he studied at the National College of Art in Stockholm, then at the Art School and the Royal Institute of Technology in Stockholm, graduating in 1939. During the 1930s, Acking assisted architect Gunnar Asplund (1885-1940) with design of Gothenburg Town Hall. In 1939, he co-founded an architect’s firm with Sven Hesselgren (1907-1993). They worked together until 1955.
Acking’s furniture design consisted primarily of seating and storage pieces. His most famous designs include the Anette dressing table (1943) for Nordiska Kompaniet (NK); the Bentwood Chair (1944) for —a chair assembled from just ten pieces which Acking hoped would be both practical for a modern family and suitable for mass production; the Trienna Chair (1957) for NK—named after Milan’s Triennale, where the chair was exhibited; and the Tokyo Chair (1959)—originally designed for the Swedish Embassy in Tokyo. Over the course of his career, Acking also tried his hand at designing cabinets, textiles, and lighting.
Acking’s architectural designs spanned public and residential buildings. His most notable designs include, Siris Chapel in Torsby (1950); H55 Pavilions in Helsingborg (1955; Acking was one of three main architects)—which consists of three pavilions built for the exhibition and perhaps his most well-known architectural work; Hässelby Family Hotel in Stockholm (1955), Quality Hotel in Ostersund (1956), Skånska Bank in Malmö (1965) and Birgitta Church in Skön (1972).
Acking held several esteemed professorships throughout his career at the National College of Art in Stockholm (1945-1957), the Institute of Technology in Stockholm (1957 onwards), and The School of Architecture at Lund University (1964-1976). He was also a member of many prominent associations such as the Swedish Architects Association (SAR), the Swedish Interior Architects Association (SIR), and Svensk Form (Swedish Society of Crafts and Design).
His designs can be found in the National Museum in Stockholm, the Nordic Museum in Stockholm and the Harvard University Museum in Massachusetts.
Acking was the winner of the prestigious Lunning Prize in 1952. He passed away in 2001.
Via Pamono.
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Chairs!
gje
Armchairs by Young International for Gelderland
Ilona Armchair by Arne Norell
Ilona Armchair by Arne Norell
Post Modern Orbit Sofa by Wolfgang C.R. Mezger
Post Modern Orbit Sofa by Wolfgang C.R. Mezger
This sofa was designed for Dutch manufacturer Artifort
About Artifort
Wallpaper hanger and upholsterer Jules Wagemans (1866-1943) laid the foundation for Dutch manufacturing brand Artifort when he opened his bespoke furnishings atelier, H. Wagemans & Van Tuinen, in Maastricht in 1890. In 1920, his son Henricus Wagemans (1892-1948) took the helm and re-focused the company on the production of solid, well crafted, upholstered armchairs and other seating in traditional styles. In 1927, Henricus changed the company name to Artifort, which he derived from the Latin words, “ars,” meaning “art,” and “fortis,” meaning “strength.” Moving on a trajectory toward an ever-more progressive design approach, in the early 1930s, Artifort acquired a patent for “Epeda” single-steel-wire springs, which had already been used in mattresses and car seats, but never before in domestic furniture. This innovation allowed Artifort to produce more comfortable chairs and sofas in less time and with fewer materials.
In 1939, Dutch designer Theo Ruth (1915-1971) became head of design and development—a position he maintained until his death in 1971—and proved instrumental in establishing Artifort as one of the most design-conscious companies of the 20th century. After World War II, under the directorship of Henricus’s son H. J. J. (Harry) Wagemans (b. 1921), Artifort acquired a high-pressure molding machine, which allowed for much more minimalist yet cushioned designs. Early examples of this reduced style include Ruth’s Congo Chair (1952) and Penguin Chair (1953).
Artifort’s signature vibrant and biomorphic aesthetic fully blossomed when Dutch designer Kho Liang Ie (1927-1975) agreed to consult for the company, starting in 1958. In addition to designing a number of iconic pieces for Artifort, Kho instigated important collaborations with foreign designers, most notably French designer Pierre Paulin (1927-2009) and British designer Geoffrey Harcourt (b. 1935). As tastes for space-age designs peaked in the 1960s and 1970s, Artifort found international success, especially with Paulin’s colorful, jersey-covered “seat sculptures,” like Orange Slice Chair (1960), Model 560 Mushroom Chair (1963), Model 582 Ribbon Chair (1966), and Model 577 Tongue Chair (1966-7). Since the 1970s, a variety of standout designers have collaborated with Artifort, including Gijs Bakker, Jasper Morrison, René Holten, Patrick Norguet, and Khodi Feiz.
Artifort pieces are included in the Museum of Modern Art in New York, the Victoria & Albert Museum in London, the Musée des Arts Décoratifs and Centre Pompidou in Paris, and Vitra Design Museum in Weil am Rhein.
In 1998, the Lande Group in Schijndel purchased Artifort from the Wagemans family, opening new factories in Schijndel and Lanaken in Belgium. The company celebrated its 125th anniversary in 2015.
Via Pamono
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Chairs!
gje