501 Goteborg Chair by Erik Gunnar Asplund for Cassina

501 Goteborg Chair by Erik Gunnar Asplund for Cassina

Born in Stockholm, Erik Gunnar Asplund occupies a central position in the development of Scandinavian architecture and design of the twentieth century.
He is considered the archetype of the generation that gave rise to the maturing process of the above estates, subsequently developed by such figures as Alvar Aalto, Erik Bryggman, Arne Jacobsen, Jørn Utzon.
After graduating as an architect in 1909, many trips to Europe and the United States punctuated his apprenticeship.
His works from the years 1911 to 1930, influenced by a strong romantic tradition, express a neoclassical language, founded on vernacular cultural bases.
However, it was in 1930, the year of the Stockholm Exhibition, that Asplund managed to go beyond the rigid and stereometric language of the early years of rationalism very clearly by anticipating in a very personal way the trends of the Modern Movement.
His most remarkable works of architecture are: the Chapelle du Bois (1918-20); the Skandia Cinema, Stockholm (1922-23); the Municipal Library, Stockholm (1921-28); the expansion of the Town Hall, Gothenburg (1916-37); the Brendenberg stores, Stockholm (1933-35); the Bacteriological Laboratory (1932-37); his country house in Stennäs (1937); the Crematorium and the southern part of the Stockholm Cemetery: the pinnacle of all his experience.
In terms of decoration and design his most notable works are: the study of popular housing for the exhibition of the Swedish Society of “Arts and Crafts” (1917); interior design for the “Art and Industry” association, Stockholm (1920); the decoration and furniture of the City Hall, Stockholm (1921); some furniture dating back to 1931, such as the famous judge’s chair and the furnishings of the Lister Sölvesborg courthouse; the decoration of the Swedish pavilion at the Paris Exposition (1925); decoration and objects created for the Stockholm Municipal Library (1920-28); the Council Room at the Headquarters of the Arts and Crafts Association (1931); decoration for the Palace of Justice and for the Town Hall, Gothenburg (1916-37).

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Chairs!
gje

Tre Pezzi Armchairs by Franco Albini & Franca Helg

Black Tre Pezzi ArmchairBlue Tre Pezzi Armchair
Red Tre Pezzi Armchair

Tre Pezzi Armchairs by Franco Albini & Franca Helg

Iconic design from 1959, a bit brutal though and less assimilating to various types of interior than the Eames Lounge Chair. It is re-edited by Cassina.
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Chairs!
gje

570 Gender Lounge Chair by Patricia Urquiola – 2018 IMM Cologne 05

570 Gender Lounge Chair by Patricia Urquiola

Seen at the Cassina Stand at IMM Cologne: The 570 Gender by Patricia Urquiola. In the past I have complained about the fact her web presence was not up to her level as a star designers, but nowadays her website is more up to her level.

This lady couldn’t withstand a soft touch of the chair to sense the fabric:

570 Gender Lounge Chair

Red and Blue becomes Black and Green – 2016 IMM Cologne (01)



No, unfortunately I haven’t visited IMM Cologne in 2016, but I plan to do so again in 2017. Via Design Boom I found out that Patricia Urquiola had designed Cassina’s stand there (and later in Milan). It was in celebration of Cassina’s 90th Anniversary. She used a temporary Rietveld installation in Arnhem of 1955 later used for the sculpture garden of the Kröller-Müller Museum. Cassina had designed a MutAzioni series for the occasion and the Black and Green Rietveld was one of that series.

Blue Utrecht Settee by Rietveld – 2012 IMM Cologne (09)

Blue-Utrecht-Settee-by-Rietvelt

I had seen the Utrecht Chair and the curved threesome, but not the twosome version of the Utrecht chair yet. Here it was at the 2012 IMM Cologne booth of Cassina.